Eli Roth's History of Horror - Episode Guide

Zombies are the monsters of the 21st century, and America's major contribution to horror. What set off zombie fever? All roads lead to George Romero, who made zombies a metaphor for social ills.

Slasher films killed in the '80s, but their violence, perceived misogyny, and endless sequels almost ended the genre. Supernatural killers Chucky and Freddy saved them from extinction.

Slashers got sophisticated in the '90s, evolving from Freddy Krueger to Candyman to the terrifying Hannibal Lector. The 2000s brought "torture porn" – a response to post-9/11 panic.

The fear that demons will enter our bodies and make us do terrible things has inspired some of the most frightening films ever made, including the masterpieces Rosemary's Baby and The Exorcist.

Monsters hold a special place in the history of horror. Stephen King, Tippi Hedren and Joe Dante weigh in on the killer predators in nature, the nightmare creatures of the fantastic, and the monsters inside us, waiting to escape.

Modern vampires come in many guises, but they all address our fascination with sex and death. From the ghastly Count Orlok to the glam vampires of True Blood, John Landis, Josh Hartnett, Mick Garris and others take a look at why thirsty fiends are endlessly appealing.

Ghost movies have been with us since the dawn of cinema. Some ghosts are benevolent, some ghosts are malicious, but they all represent the mystery of what happens to us after we die. Stephen King, Haley Joel Osment and others break down the appeal of spooky spirits.

Home is where the heart is, unless you live in a house of hell. Whether they're filled with specters or psychos, every house of hell pokes at our illusions of comfort and safety.
 

The history of monster movies is also the history of the evolution of special effects technology. But, whatever their size or shape and whatever they represent, for many horror fans monsters are the best part of the genre.
 

Sometimes disgusting, body horror films make audience members question their prejudices against physical difference, their attitudes about sex and gender, their fear of disease and contamination, and how much appearance determines destiny.

The witch is a towering figure in the history of horror. The archetypical evil witch is everything mainstream religion tells us a woman should not be - and that unapologetic, very female power frightens men and fascinates women.
 

Parents are supposed to love their children, no matter how awful their kids may be; the films highlighted in this episode may not solve the mystery of where evil comes from, but they have a terrifically terrifying time raising the question.

Nine Nightmares is a deep dive into nine uncategorizable films that push the boundaries of horror. Great films that entertain us and provoke us. Films that put society under a microscope, making us question not just what we fear, but why we fear it.
 

Everybody knows that when you see a number or a Roman numeral next to a title, beware! But if that's true, why are sequels so popular? They wouldn't make them if people didn't go to see them. Maybe it's because we want dive back into dark worlds that frightened and fascinated us the first time around...or we want to see the characters we bonded with back in action. And there's another reason that's rarely acknowledged: sometimes sequels are as good as or even better than the originals. They can take a proven commodity and turn it into something fresh and wild, like Joe Dante's anarchic anti-sequel Gremlins 2; or they can take a strong concept and root it in up-to-the-second social issues, like Gerard McMurray's incendiary The First Purge.

This episode has a mission: to redeem the reputation of this most maligned of cinematic categories. After all, just because you weren't first doesn't mean you can't be the best.

Featured films include A Nightmare on Elm Street 3: Dream Warriors, Psycho II, The First Purge, Bride of Chucky, Scream 2 and Gremlins 2: The New Batch.

There were two kinds of people in 2020 and 2021: those who watched movies about infectious diseases, and those who did not. Horror fans tend to fall into the first category, because that's a major appeal of the genre: it is both a cathartic release for our worst fears (things are bad, but it could be worse - look what happened to Gwyneth Paltrow in Contagion) and a way of rehearsing for real-life nightmares.

This episode covers the spectrum of frightening infection scenarios, ranging from reality-based films (Outbreak, Contagion and 12 Monkeys) to surreal plagues (Shivers, Rabid and The Masque of the Red Death), horrific zombie outbreaks ([REC] and Pontypool) to space-born pathogens (The Andromeda Strain and Color Out of Space).

Our fear of infection runs deep. But as these films and real life show us, so does the human capacity for survival.

What's the downside of having psychic powers? The idea of being able to read minds or manipulate objects without moving a muscle is an attractive fantasy. But what if those powers showed you things you wished you hadn't seen? What if people wanted to exploit your gift for their own sinister ends? Worse than that: what if someone with psychic abilities turned their powers against you?

Movies about psychics play on the ego of our species - humans rose to the top thanks to their large, multilayered brains - but they also exploit our insecurities. We understand little about cognition and the nature of free will, and we know we're just a brain tumor away from radical personality shifts and psychotic behavior. The fear of psychic powers gone wrong is the fear of our own turbulent minds.

This episode features a wide range of psychic films made by superstar creators, including David Cronenberg's Scanners and The Dead Zone, Mike Flanagan's thrilling adaptation of Stephen King's Doctor Sleep, Brian DePalma's The Fury, Sam Raimi's The Gift, Peter Jackson's The Frighteners and Tim Burton's horror/comedy masterpiece Beetlejuice.

The bigger they come, the harder they fall. And when it comes to human civilizations, the modern world is as big and populous as it has ever been, so when the fall comes, it will be spectacular. The collapse of the Roman Empire was followed by roughly a thousand years of hard times for the human race. The collapse of the modern world will likely be even more traumatic.

But as history tells us and horror movies confirm, humans can survive just about anything, including world wars, global plagues, mass famines, and, maybe, a zombie apocalypse. The ones who make it through may be the horror fans who have absorbed the lessons taught by end-of-the-world spectaculars like World War Z, Train to Busan, Zombieland, War of the Worlds, I Am Legend, The Omega Man, 10 Cloverfield Lane, The World's End and The Invasion of the Body Snatchers.

It started with Black Christmas. Bob Clark's groundbreaking slasher film took the then-shocking notion of setting a sorority bloodbath at Christmastime, offering a dark contrast to the joy of the holiday season. Halloween came a few years later, and its success spawned a slew of holiday-themed horror movies. The idea still catches fire every decade or so, retooled for new generations of viewers.

Why are these films so popular? It's partly because horror is the bad boy of cinema, always looking for ways to upset the status quo and topple sacred cows. To horror creators, the purity of a holiday is just waiting to be splashed with stage blood. But the deeper reason is that holidays are times when we gather with our families, and that can be joyful and painful. For some, the explicit violence of holiday-themed slasher films brings the angry undercurrents churning around the dinner table out into the open. For others, the shocking juxtaposition of a day of celebration with death and dismemberment is just another part of the play-acting thrill ride of moderated fear.

This episode features a deluxe sampler of holiday mayhem, including Black Christmas, Krampus, Silent Night Deadly Night, Terror Train, My Bloody Valentine, April Fool's Day, Happy Death Day and the blockbuster 2018 sequel to Halloween, featuring returning guest Jamie Lee Curtis.

The pursuit of knowledge can lead us down dark paths. Our quest to understand the workings of the universe has taken us from caves to cities, from the desert to the Moon. But it has also sickened our bodies and the planet, given us weapons of mass destruction and the surveillance state, and, most recently, created the poison candy of the Internet, which has completely disrupted how we live and how we think.

The justifiable fear that men and women of science will unleash even more powerful forces they can't or don't want to control is a favorite topic of horror films. That fear is embodied in the figure of the Mad Scientist, who tends to be either an amoral and egomaniacal villain or a noble explorer driven over the edge by the thirst for knowledge. But, like many cinematic monsters, mad scientists also appeal to our rebellious natures. For every unhinged Dr. Frankenstein there's a lusty Dr. Frank-N-Furter, happily challenging the boundaries of polite society.

Featuring: the many incarnations of Frankenstein, The Invisible Man, and Dr. Jekyll and Mr. Hyde, as well as Ex Machina, Eyes Without a Face, The Abominable Dr. Phibes, Altered States and The Rocky Horror Picture Show.