When an old enemy resurfaces as an existential threat to the Federation, Nahla must outwit a vengeful foe with a personal vendetta against her — as our cadets and instructors undertake a dangerous, seemingly impossible, mission to save everyone and everything they hold dear.
When an old enemy resurfaces as an existential threat to the Federation, Nahla must outwit a vengeful foe with a personal vendetta against her — as our cadets and instructors undertake a dangerous, seemingly impossible, mission to save everyone and everything they hold dear.
Trailer
Guest Cast
Piotr Michael
voices Venari Ral ComputerCast Appearances
Episode Discussion
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Every two years or so, I rewatch all the Star Trek live action series from TNG onwards. And it's my opinion that the first seasons aren't usually the greatest, compared to the later seasons of the various franchises. So I have good hopes that it will get better. For now I have given it a 7, but it certainly has potential for growth.
Overall I have enjoyed this new adventure and wish it peace and long life
There’re a lot of things I have problems with throughout the season, but still… I wish it to live long and prosper.
it was good, thoSams Scream near the end there was Really hard on the ears... hopefully never hear that again lol
Rubicon resolves the issues raised by 300th Night, which set the bar high, and begins the final stretch. It has a classic canon feel: the threat of Omega-47 (VOY, “The Omega Directive”), after an incredible tracking sequence, a cliffhanger… and yes, Jonathan Frakes’ direction sets the stage for Osunsanmi, who will undoubtedly follow the same path: epic scale, nostalgia… and I wonder which episode or series will be the reference point this time.
I’m eager to see it, but I have mixed feelings after finishing the season. SFA flies better when clinging to the wings of nostalgia (DS9, TNG, VOY…) to get itself out of trouble (and preserve the lore). I’m left with that nostalgia and the inherited potential… because the personality is still under construction.
The ending is wonderful, but the series suffers from an overdose of teen drama; it doesn’t achieve balance, and that’s where the problem begins. SFA’s mistake isn’t ideological, but narrative. Despite everything, I’m still on board.