The Pre-Raphaelite Brotherhood continue their quest for credibility, celebrity and success.
With the help of their new friend, journalist Fred Walters, they have caught the attention of the pre-eminent art critic of the day, John Ruskin, and they now have to persuade Ruskin to buy their work. The prodigious and impossibly talented John Millais sets about rustling up a masterpiece to show Ruskin. The work is Ophelia, and he chooses Lizzie Siddal to sit for it. Rossetti, who is convinced that he is nothing without Lizzie as his muse, is furious with Millais for taking her from under his nose.
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