A Mim Só Me Tiram Daqui Morto, Bem Morto.

Ernesto joins forces with Zé Maria to resist pressure from buyers and tries to help him reopen the restaurant. At the same time, he takes a homeless man, a former war photographer, who was sheltering at the office entrance to the refuge. Ana Cristina takes him in and gives him a camera, with which he begins to photograph the refugees and give them a human face. The PJ investigates the business behind the real estate interests, despite receiving pressure to stop. Mário and Helena decide to dig deeper and question Ventura's son in prison and then Inácio, who ends up selling the house and leaving the island. One morning, Deolinda finds the office destroyed. Seabra and his men set fire to the restaurant, but are photographed by the homeless man.