Treasures of the Indus - Episode Guide

This is the story of the Indian subcontinent told through the treasures of three very different people, places and dynasties that have shaped the modern Indian world.

All too often, Pakistan is portrayed as a country of bombs, beards and burkhas. The view of it as a monolithic Muslim state is even embodied in the name of the country, 'the Islamic Republic of Pakistan'.

Yet, as Sona Datta shows, it used to be the meeting point for many different faiths from around the world and has an intriguing multicultural past - a past about which it is to some extent in denial. It also produced some extraordinary and little-known works of art which Sona, from her work as a curator at the British Museum, explores and explains.

This is the story of the Indian subcontinent told through the treasures of three very different people, places and dynasties that have shaped the modern Indian world.

The Mughals created the most famous and dazzling empire that India has ever seen, from the Taj Mahal to fabulously intricate miniatures of court life.

But in the process, did they bring civilisation to India or tear it apart?

From the moment the first Mughal emperor Babur arrived from Afghanistan the debate began - were the Mughals imposing their own religion of Islam on a Hindu country, or were they open to the religion and art of the country they were conquering?

The artworks the Mughals left behind over their 200-year empire - even the very buildings which have traces of Hindu architecture as well as Muslim - clearly show how this debate played out and Sona Datta traces how this most spectacular of all Indian civilisations also sowed the seeds of discord.

This is the story of the Indian subcontinent told through the treasures of three very different people, places, and dynasties that have shaped the modern Indian world.

In a journey across the southern Indian state of Tamil Nadu, Sona Datta traces the development of the Hindu religion from its origins as an amalgamation of local faith traditions to its dominant position today. She uncovers this fascinating tale by looking at the buildings in which the faith evolved, moving from the caves and rock temples on the shores of the Bay of Bengal at Mahabalipurem, through the monolithic stone temple at Tanjavur to the vast complex of ornately carved towers, tanks and courtyards at Madurai, where every evening the god Shiva processes round the precincts to visit the bedchamber of his partner Parvati.