Crash Course Film - Episode Guide

Well, they're not really "magic." Maybe "illusion" is a better way to say it. As we begin this journey of the history of cinema, we need to understand how movies trick our brains into even understanding that a movie is a movie. In this episode of Crash Course Film History, Craig takes us down the road of the very first inventors of motion pictures.

After serial photography became a thing, it wasn't long before motion pictures started to develop. And, at the front of that development was Thomas Edison, who you may know as an inventor and business person. In this episode of Crash Course Film History, Craig talks to us about Edison, his assistant W.K.L. Dickson, and their inventions that pioneered motion pictures.

As cinema started to take off, things like "single viewer" devices weren't going to cut it as the medium advanced. In this episode of Crash Course Film History, Craig talks to us about the Lumiere brothers, their invention of the Cinematographe, and the idea of projecting a movie to an audience.

After the Lumiere brothers and Thomas Edison got the ball rolling with Vaudeville acts and Actualites, the time was coming for movie magic and fiction to make an appearance. The time was coming of filmmakers like Georges Melies and Alice Guy-Blache.

In this episode of Crash Course Film History, we talk about the development of the language of films by filmmakers like Edwin S. Porter and his films; Life of an American Fireman and The Great Train Robbery.

Movies didn't always look like they do now. There was a period (kind of a problematic one) where movies transitioned from short novelties to big, epic, feature films. That's our focus this week as Craig talks to us about the birth of the feature film and the work of D.W. Griffith.

We've spent a lot of time focusing on France and the U.S. as that's where a significant amount of both infrastructure and business models were initially set up for film. But there were other countries adding their own stories to the annals of film history. In this episode of Crash Course Film History, we're going to focus on Germany and how they got a bit expressive with film.

Russia went and had a revolution in 1917 and cinema was a big part of its aftermath. Even though film stock was hard to come by, we saw the first film school started, and the study of film became hugely important. Russian filmmakers started trying to understand the power of the cut itself, thus developing a theory of filmmaking based solely around the juxtaposition of images: Soviet Montage. In this episode of Crash Course Film History, Craig talks us through some of the filmic things going on in post-revolution era Russia.

The Silent Era of Hollywood set a lot of things into motion in terms of how movies were made and sold. Big stars were one of the main ways studios tried to make their movies stand apart from one another and get the public to make choices at the cinema. But, this also gave a lot of power to those stars to command a lot of money. In this episode of Crash Course Film History, we take a look at the Silent Era of Hollywood and people like Charlie Chaplin.

Nothing changed movies like the arrival of synchronous sound. NOTHING! Acting, directing, cinematography, and presentation all had to be rethought. Some studios were more quick to take on the challenge while others waited until the last moment. Some actors made graceful transitions while others struggled with the new format. But this was the big turning point and a major completion point to what movies would ultimately become.

It's time for the glitz and the glamour of big motion pictures that helped keep American spirits up during and after the Great Depression. Sound was a huge change to motion pictures, but there were still a few technological innovations to come, like color and aspect ration. Today, Craig walks us through the Golden Age of Hollywood.

Hollywood was riding high until their formula got to be stale. In places like Italy and France (as well as other places in the world we'll talk about soon) filmmakers were starting to break out of the mold and make daring films that challenged the idea of what movies were and what audiences wanted. In this episode of Crash Course Film History, Craig takes us through the beginnings of independent cinema.

As the New Hollywood gained steam in the late 70s and early 80s, another revenue stream opened its doors: home video. From Betamax to Laserdisc to Bluray to streaming services, home video revolutionized how we ingest movies. In this episode of Crash Course Film History, Craig gives us an overview of it all.

The world is a big place and cinema isn't limited to just the U.S. and Europe. There are a lot of vibrant and influential film movements and cultures from all over the world. In this episode of Crash Course Film History, Craig talks to us a little about some of the big moments in Asian cinema; from Japan, to China, to India.

Africa, the Middle East, and South America have their own vibrant film communities and filmmakers. From social and political commentary to experimental films, these regions have made some very important pieces of cinema over the last century. In this episode of Crash Course Film History, Craig talks us through some of these movies and movie makers.

It's Craig's last episode of Film and in it he's going to talk about weird stuff... and real stuff. Experimental and Documentary films could each take up their own Crash Course series. The different styles and intents of different filmmakers make each film unique. So let's settle in and have a look at how Experimental and Documentary films have evolved.

If you want to make a movie, generally you're going to want to start with a script. In this episode of Crash Course Film Production, Lily Gladstone talks about the basics of screenplays and how to get started thinking about and actually writing your movie.

Pitching your movie to people can be hard. A studio, a friend, your mom... each of these entities will have different stressed and give you different results. But, what's important in a pitch? And what happens after the pitch? How do you get your movie ready to film? In this episode of Crash Course Film Production, Lily gives us some advice on both.

Who does what on a film set? And how many of them are there? What is HMU? What is a Scripty? In this episode of Crash Course Film Production, Lily gives us A BIG OVERVIEW on the Production Team. Who they are, who they report to, and why they're important.

Sometimes the most intimidating part of making a movie is that little box of concentrated technology called "The Camera." But, FEAR NOT! In this episode of Crash Course Film Production, Lily helps us dissect the basics of modern movie cameras so you can have an easier time getting started... hopefully!

Good sound is easy to miss because, usually, you're not paying attention to it. You're just simply, "in the story." But, sound recordists and engineers need to have a lot of technical know how as well as an instinct for story to help immerse us in the world of the film. In today's episode, Lily talks to us about Sound Production.

So... what do Producers even do? It's a hard question to answer because there are so many different kinds of producers on a movie. In this episode of Crash Course Film Production, Lily Gladstone talks us through the different kinds of producers and what they do in the movies.

So... what do Directors even do? That's not an easy question to answer but today Lily will do her best. Generally, directors are the driving creative force behind a movie, deciding what kind of cinematic world the story will take place in, how the performances will fit into that, and how the camera will capture that world. But, there's a lot more to discuss on this episode of Crash Course Film Production.